This catalogue refers to two photography exhibits curated by Oded Balilty.

The first exhibit, "White Noise", is Oded's personal project that deals with trauma and healing. In order to emphasize that the project is personal, I placed the typography at the heart of the book near the central crease between pages, portraying a small personal diary.

The second exhibit, "The Sichuan Earthquake", is a documentary project photographed in China's Sichuan Province in 2008. 

My challenge was to convey the contrast between the two exhibits: black versus white, order versus clutter, silence versus chaos. The image that unites the two exhibitions is a black and white fissure, which I placed in the center of the cover.